Identity, self-scrutiny, memory and the tensions inherent in human relationships are the core themes of Louise Bourgeois’s art. Although Bourgeois has often referred to her works as a means of liquidating the memory of traumatic episodes, her diaristic art is … More
Appliquéd gum leaves, Sturt’s desert peas, strelitzia, boomerangs and love hearts jostle with musical notes across the surface of this multi-layered outfit. Jackson’s appliquéd pieces were inspired by Henri Matisse’s late cut-outs, produced in the 1940s and early 1950s.
Tom Roberts’s Shearing the rams is a response to the nationalistic sentiment that developed in Australia during the late nineteenth century. It reflects the emergence of a national identity defined through heroic rural activity and the economic importance of the … More
Maharana Sarup Singh ruled the Rajput kingdom of Mewar, centred on Udaipur, between 1842 and 1861. Courtly activities were recorded by artists including Tara and his son Sivalal, who faithfully documented hunting scenes, religious festivals and political meetings, complete with … More
Portrait of a young woman, after Cranach the Younger, II is Picasso’s interpretation of a painting by Renaissance artist Lucas Cranach the Younger. The extraordinary five-colour print was Picasso’s first published linocut, made when the artist was seventy-seven years old. … More
With his unique social observations, innovative approach to design and mastery of the brush, Katsushika Hokusai created some of the most iconic, engaging images in the history of Japanese art. The Great wave off Kanagawa, from Hokusai’s Thirty-six views of … More