William Nicholson was always torn between the need to paint society portraits to maintain his family and his love for humbler still lifes and landscape painting. Nicholson’s admiration of Édouard Manet and Edwardian interiors is evident in this still life … More
This painting shows the ancestral path of miowin, a willy-willy or spiralling dust storm, indicated by the red-ochre glyph unleashed on the matte, white surface of the land and rising into the sky. The storm began as a murmur, in … More
Identity, self-scrutiny, memory and the tensions inherent in human relationships are the core themes of Louise Bourgeois’s art. Although Bourgeois has often referred to her works as a means of liquidating the memory of traumatic episodes, her diaristic art is … More
Appliquéd gum leaves, Sturt’s desert peas, strelitzia, boomerangs and love hearts jostle with musical notes across the surface of this multi-layered outfit. Jackson’s appliquéd pieces were inspired by Henri Matisse’s late cut-outs, produced in the 1940s and early 1950s.
Tom Roberts’s Shearing the rams is a response to the nationalistic sentiment that developed in Australia during the late nineteenth century. It reflects the emergence of a national identity defined through heroic rural activity and the economic importance of the … More
Maharana Sarup Singh ruled the Rajput kingdom of Mewar, centred on Udaipur, between 1842 and 1861. Courtly activities were recorded by artists including Tara and his son Sivalal, who faithfully documented hunting scenes, religious festivals and political meetings, complete with … More